{"id":14901,"date":"2020-09-18T13:40:54","date_gmt":"2020-09-18T11:40:54","guid":{"rendered":"https:\/\/www.meetingpoint-music-messiaen.net\/pl\/?p=14901"},"modified":"2023-01-26T11:03:35","modified_gmt":"2023-01-26T10:03:35","slug":"gra-technika-gra","status":"publish","type":"post","link":"https:\/\/www.meetingpoint-memory-messiaen.eu\/pl\/gra-technika-gra\/","title":{"rendered":"Gra.Technika.Gra"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]<\/p>\n

Projekt zespo\u0142u Neues Klaviertrio Dresden<\/strong><\/h3>\n

 <\/p>\n

Podczas koncertu pt. \u201eGra.Techika.Gra\u201d, kt\u00f3ry odb\u0119dzie si\u0119 7 pa\u017adziernika o godz. 19:00 w Europejskim Centrum Pami\u0119\u0107, Edukacja, Kultura (Ko\u017alice 1, 59-900 Zgorzelec), zesp\u00f3\u0142 Neues Klaviertrio Dresden zaprezentuje ekscytuj\u0105cy program utwor\u00f3w pochodz\u0105cych z XXI wieku, w tym jedn\u0105 premier\u0119.<\/span><\/p>\n

Poj\u0119cie technika dla muzyka r\u00f3wnozaczne jest z technik\u0105 gry. Ta z kolei przede wszystkim kojarzona jest z kanonem technik powsta\u0142ych w okresie do ko\u0144ca XIX wieku, kt\u00f3re w optymalny spos\u00f3b wydobywaj\u0105 to, co nadal jest rozumiane jako normalne brzmienie instrument\u00f3w. Inne techniki okre\u015blane s\u0105 mianem \u201erozszerzonych technik gry\u201d, cho\u0107 wiele z nich zyskuje coraz wi\u0119ksz\u0105 popularno\u015b\u0107 i zaczyna dor\u00f3wnywa\u0107 rang\u0105 tym znanym. Techniki gry zawsze wysuwaj\u0105 si\u0119 na pierwszy plan, gdy z instrument\u00f3w pr\u00f3buje si\u0119 wydoby\u0107 nowe, nies\u0142yszane dot\u0105d d\u017awi\u0119ki. Niewa\u017cne, czy wynika to ze szczeg\u00f3lnej wirtuozerii, czy z niewyk\u0142ego ich brzmienia.<\/span><\/p>\n

W programie koncertu Michael Maierhof jest obecny dwukrotnie. Jego zamiarem nie jest sta\u0142e pod\u0105\u017canie za nowym. Wr\u0119cz przeciwnie: tutaj ka\u017cdy utw\u00f3r ogranicza si\u0119 do w\u0142asnej gamy starannie dobranych i wywa\u017conych wzgl\u0119dem siebie d\u017awi\u0119k\u00f3w. W utworze \u201eSugar 1\u201c punktem wyj\u015bcia s\u0105 r\u00f3\u017cne sposoby poci\u0105gania smyczkiem, natomiast w utworze \u201eExit E\u201c wykorzystano z jednej strony dodatkowe rezonatory do zmiany d\u017awi\u0119ku, z drugiej za\u015b strony systemy wibracyjne do pobudzania strun.<\/span><\/p>\n

Technika w utworze Michaela Flade’a \u201eSpiel: seltsam attraktiv\u201c (pl. \u201eGra: dziwnie atrakcyjna\u201d) zastosowana zosta\u0142a w spos\u00f3b niemal namacalny. Mamy okazj\u0119 do\u015bwiadczy\u0107 d\u017awi\u0119k\u00f3w granych na \u017cywo, \u015bledzi\u0107 ich zapis i przetwarzanie na komputerze, odtwarzanie przy pomocy g\u0142o\u015bnik\u00f3w, zar\u00f3wno przy akompaniamencie muzyk\u00f3w, jak i solo, a tak\u017ce jako instalacja d\u017awi\u0119kowa. Ponadto wykonawcy nie dysponuj\u0105 przygotowanym wcze\u015bniej d\u017awi\u0119kiem, lecz zbiorem p\u00f3l gry, po kt\u00f3rych mog\u0105 si\u0119 porusza\u0107 wed\u0142ug okre\u015blonych zasad.<\/span><\/p>\n

Te dwa podej\u015bcia \u0142\u0105cz\u0105 si\u0119 w nowym utworze Ricardo Eizirika. W swoich kompozycjach wykorzystuje on z jednej strony brzmienia elektroniczne, z drugiej za\u015b strony nietypowe techniki gry dla muzyk\u00f3w instrumentalnych. Jego utwory charakteryzuj\u0105 si\u0119 regularn\u0105 obecno\u015bci\u0105 komponentu teatralnego. Nasuwa si\u0119 wi\u0119c pytanie, na ile cz\u0142owiek jest panem, a na ile niewolnikiem w\u0142asnej techniki gry.<\/span><\/p>\n

 <\/p>\n

Program<\/b><\/p>\n

Michael Maierhof: Sugar 1 (2001)<\/span><\/p>\n

Michael Maierhof: Exit E (2011)<\/span><\/p>\n

Michael Flade: Spiel: seltsam attraktiv (2008)<\/span><\/p>\n

Ricardo Eizirik: Neues St\u00fcck (2020, UA)<\/span><\/p>\n

 <\/p>\n

Neues Klaviertrio Dresden<\/strong><\/p>\n

Uta-Maria Lempert: skrzypce<\/span><\/p>\n

Matthias Lorenz: wiolonczela<\/span><\/p>\n

Clemens Hund-G\u00f6schel: fortepian<\/span><\/p>\n

 <\/p>\n

cena:<\/strong> 25 z\u0142 bilet normalny \/ 15 z\u0142 bilet ulgowy*<\/span><\/p>\n

Bilety ulgowe przys\u0142uguj\u0105 uczniom, studentom, emerytom, osobom bezrobotnym i niepe\u0142nosprawnym.<\/span><\/h6>\n

 <\/p>\n

Dalsze informacje:<\/b><\/p>\n

media@themusicpoint.net<\/span><\/a><\/p>\n

tel.: +49 <\/span>3581 66 12 69<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

Podczas koncertu pt. \u201eGra.Techika.Gra\u201d, kt\u00f3ry odb\u0119dzie si\u0119 7 pa\u017adziernika o godz. 19:00 w Europejskim Centrum Pami\u0119\u0107, Edukacja, Kultura (Ko\u017alice 1, 59-900 Zgorzelec), zesp\u00f3\u0142 Neues Klaviertrio Dresden zaprezentuje ekscytuj\u0105cy program utwor\u00f3w pochodz\u0105cych z XXI wieku, w tym jedn\u0105 premier\u0119.<\/p>\n","protected":false},"author":21,"featured_media":14904,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[689,58],"tags":[],"class_list":["post-14901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-europamiasto-zgorzelec-goerlitz","category-muzyka"],"yoast_head":"\nGra.Technika.Gra - Meetingpoint Memory Messiaen e.V.<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.meetingpoint-memory-messiaen.eu\/pl\/gra-technika-gra\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gra.Technika.Gra - 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